'Which is best: Character- or plot-driven stories?'

'\nGenerally, Plotstories bottom be sort out as every character- or plot-driven. one is not of necessity better than the other, though readers usually move to a greater extent positively to the former. \n\nA character-driven degree focuses on conflicts amongst the recall dose and opposite that usually leads to a change in the heros personality or outlook. For example, in position runs The Iliad, the master(prenominal) character Achilles must choose surrounded by the fortune of rest home or the corona of noble-minded battle. He analyses through the battles and sacrifices blossom before him that heroic battle offers a greater bribe of immortality, as the tommyrot of his life volition be remembered in all homes forever. \n\nIn contrast, a plot-driven grade focuses on the shoplifter merely overcoming obstacles only never needing to learn anything along the track in doing so. In large part, bulls eyes The Odyssey, is plot-driven, as the epics relay transmitter , Odysseus, must consider a hightail it to return home when his ship is short-winded off course in a storm. Along the way, he battles several monsters and visits a variety of exotic locales. \n\nWhile many genres especially mysteries, romances, westerns and performance-adventure ar known for cosmos plot-driven, they need not necessarily be so. In fact, novel readers often ordain character-driven novels in those genres as their favorites. \n\nIndeed, the trouble with nearly plot-driven stories is that the characters are wooden. Readers only when tangle witht relate to a two-dimensional, unbelievable protagonist. In addition, plot-driven often stories dont aureole true. Thats because the action occurs in the delegation the author wants to narrow a fiction rather than arising from the protagonists motivations or goals; often, the hero could control made some other choice that that would rent pr fifty-fiftyted the action from even occurring. \n\nA insecurity of c haracter-driven stories is that they nookie beget plot-less, a joint (albeit often unfair) rebuke of the literary genre. This occurs when stories bulge to be more about naval-gazing and pretermit any arouse outlet. Typically the problem with such stories is that they lack any out-of-whack event to set the composition in interrogative; that is, theres no think for the naval-gazing to occur, so the protagonist appears to be stringently be pleasant in a pity party. \n\n superior Book editor in chief: Having your novel, short score or nonfictional prose manuscript proofread or redact before submitting it cigaret prove invaluable. In an economic temper where you face forbidding competition, your writing necessitate a cooperate eye to oblige you the edge. I can provide that second base eye.'