Machete and Tron Review Essay

In this frivol away Robert Rodriguez decided to pay tribute to B-movies of the 70s and 80s (the unsteady zooms, the clumsy edits, the continuity errors between triggermans), this is very discernible in the genre of the movie, exploitation fritters include excessive violence, gore, nudity and charge too many corny lines. Art Direction wise the tear also follows a 70s 80s human body of vibe, the cast also reminds us of that era.Costume design is amazing, every(prenominal) characters energise a distinct very cartoony costume to them, the cheesiness doesnt end here, the total of weapons cannot be accounted for other than all the uzis miniguns and so on etc. our main character can turn any household object, gardening tool or surgical instrument into a weapon of mickle destruction Special Effects are ABSURD (in the good way) what very stuck in my head is when our main Hero guts about mavin takes his intestines and jumps bulge out a window using them as a ropeThe descent sp urts and body parts cut off or crushed arent few either. Sound Effects adopt their parts of cheese the some memorable matchless to me was when Torrez (played by Steven Seagal) pulls out his Samurai Sword (the effect is in reality from the 1974 movie Six Million Dollar Man). Machete is a film that embodies all of the facets a 1970s blaxploitation film would beat, but with the Hispanic culture. This is Mexploitation, with a resonant grindhouse feeling, complete with film reel scratches and fake political ads. barely the violence and action in this is so extraordinary and unapologetically gruesome, with the extremity of it all not being taken seriously at all. The things they do in this film, guaranteed you yieldnt seen most of them ever done before. Corkscrews, high-heels, weed-whackers, and, of course, machetes, are completely a very small listing of all the tools and weapons used to take out characters in Machete. Its over the top, absolutely ridiculous scenes that pop up ev ery five minutes and make for a joyous film experience.There are too many be-headings, blood-splattering gunshots, and limb removals to count. breakt even get me started on the stabbings. The end Battle climaxes the gore, blood, and absurdity of the film. Im going to get more in some of the Characters Danny Trejo, the star of Machete, has a face thats so rough, craggy, and etched with large(p) living that its resembling a natural rock formation. With a tattooed torso as thick as a refrigerator, and long oily black hair that frames his simmering coal-fire midriffs, Trejo, like Mickey Rourke, is a capriciously hypnotic camera subject.Depending on which angle hes shot from, he can look like the worlds toughest biker, a Native American shaman, or a very angry carp. As Machete (pronounced ma-chet-ay), Trejo is so badass hes funny. Yet the movie, codirected by Robert Rodriguez and Ethan Maniquis, never treats him like a joke. When he slashes people with his machete, which he favors because hes a true warrior (as opposed to the wimps who hide behind their guns), hes an unholy ethnic avenger out of a 70s walking-tall fantasy.Robert De Niro plays the role of Senator buttocks McLaughlin the character is your typical jackass Texas cowboy senator. Sartana Rivera is you basic torn smash that is realizing that some laws shouldnt be enforced because they are just laws, Jessica Alba fits well in this role. In a side note her Nude exhibitioner scene was a fake she was digitally stripped naked, it was a close she and Robert Rodriguez made together, which would serve his vision for the film, as well as respect her personal convictions regarding nudity.Torrez played by Steven Seagal , is a drug lord depicted as if he thinks of himself as a Samurai, he even has his get Katana (the samurai Sword) Michelle Rodriguez plays the Role of Luz, at first she looks pretty normal but in the end scene she is reincarnated as the Mythical SHE leather pants, small top, eye patch and one hell of a Machine gun. Lindsay Lohan shines as April Booth, daughter of Michael Booth, she has 2 costumes in the hole film first one is, well, being Naked And the second is a full dressed nun that surely comes with a Machine gunCheech Marin plays as Padre Cortez, your prospered pastor he uses 2 shotguns to blow off peoples heads off. Tron Legacy Put together the old Tron with reminiscent Skintight suits with atomic number 10 like lines that glow, new tech machinery called Light Runners, and some new and change Light cycles(new gen Bikes)created out of sticks, think about the film score and music and you realize that it should be done by amiss(p) Punk, I intend Kosinski realized this early on because when he was asked why he ecided to have Daft Punk do the film score, he replied, How could you not at least go to those guys? . The score is a mix of orchestral and electronic elements, this fits right on with the artistic feel of the movie. Daft Punk have created a sonic mas terpiece worthy of the legacy of Tron. Their brilliant layering of close electronica with orchestral symphonics is every bit as avant garde in creating atmospheric digital soundscapes as Wendy Carlos score was for the original Tron. I only wish that they had merged some more of Wendys memorable themes.You can kind of key out a few familiar notes that recalls Trons theme in adagio For Tron but thats pretty much the only hat jumper lead to Wendys vintage score. Like the film itself, Daft Punk have taken the music of Tron to a whole new aesthetic take aim by incorporating their unique style of techno synthpop along with their influences of electronic film composers like Vangelis on Arrival to the ominous Carpenter-esque C. L. U. and synthesizing them with traditional orchestral composers like Bernard Hermann and sludge Steiner. The Grid is the only track with any words put to the music.With Jeff bridge over providing a voiceover for the first half of the track, the song acts as an introduction for anyone who may have missed the first film. As The Grid fades out and The son Of Flynn opens with an arpeggiated synthesizer, listeners get their first taste of Daft Punks blend between their suffer unique sound and classical music. Although the majority of the tracks on Tron Legacy practice an excellent balance between the two styles, some of the tracks sway one way or the other, drastically changing the mood of the piece.Tracks like The bet on Has Changed offer an almost exclusively classical instrumentation while transforming the percussion section section into a series of powerful electronic hits, rattling the eardrums and winning focus off of the ominous strings hidden beneath. Although the London symphonic music Orchestra provides all of the string arrangements, their true feature comes on Adagio for Tron. sounding a bit like Hans Zimmers Hummel Gets the Rockets from the soundtrack for The Rock, Thomas Bangalter and Guy-Manuel de Homem-Christo of Da ft Punk use his track as a means of cover off their prowess with orchestration, complete with a simple, yet beautiful cello solo. As the mood darkens, the music dives deeper into the electronic realm while pacify maintaining at least some aspects of a symphonic orchestra. Tracks like remainder of Line pull entirely from the electronic realm except for a sustained string part which would typically get lost in a Daft Punk mix, but because of their extraordinary presence on the rest of the album, they remain surprisingly noticeable.